Jul 27 2005
Jesus of Melbourne and Montreal
We spent the first part of tonight (after dinner) trying something new, something that does not come naturally to all of us, especially those of us entrenched in the university system: we drew. I wanted us to get in touch with our experience of Jesus, to connect in with the Jesus we know.
Then we watched Jesus of Montreal. It’s a story about a group of actors who are employed by the church to “revamp” the annual Passion play. The more they research and play the characters, the more like they begin to take on the lives of them.
The more I watch this film, the more similarities (and differences) I see between the character of Daniel Coulombe and Jesus, between the film and the stories of Jesus’ life.
Similarities:
Disciples – In is a fairly confronting scene, Coulombe recruits one of his fellow cast members (a disciple) from the voiceover job in an adult film. While it is confronting, it also reminds us that the disciples were not ultra-religious types – they were rough and ready people recruited from some of the roughest jobs around.
Persecution/opposition from the religious establishment – The church in this story is set up as the main opposition to this new Jesus movement – a church that has become so legalistic and lost sight of its founder that it is described by its proponents as a comforting place for people to live out their painful, drab lives, as if its mission is palliative care for the emotionally unstable.
Temptation – At one stage Jesus stands with a lawyer character, who presumably personifies Satan in the film, at the top of a building, looking at the city below, whereupon the lawyer offers “the whole city could be yours”.
Cleansing of the temple – Daniel’s disgust at the exploitation of people to hock cheesy products leads him to throw the only tantrum we see him throw – pushing over tables at the audition, breaking cameras and driving out the ad execs with a whip of electrical cords.
Resurrection/healing - Perhaps I shouldn’t give the detail of the ending away, but it involves some significant parallels with Jesus’ story.
Institutionalized church – It’s interesting how at the end of the film, the lawyer/Satan character wants to make an institution to carry on his legacy. Daniel’s friends agree to this idea, insisting that it hold to his ideals, although you get the sense that those ideals won’t last long. It’s a scathing assessment of the church, particularly in its institutionalized forms, and rings painfully true for those of us committed to both valuing history and following Christ.
Humility – He is asked by the court psychiatrist at one stage whether he, as a popular actor, resents having to play someone as hokey as Jesus. He says no, he couldn’t imagine a better character than Jesus, and that he expected to start at the bottom of the acting totem pole anyway. The court returns with the psychiatrist reports that read: He is better adjusted than most of the clerks in this court.”
Rumours – There is one scene where this “newcomer” is talked about by two separate media reporters, each with widely varying stories on this new, upcoming actor on the Montreal horizon. Again, there is a sense of these rumours flying around about this unknown person.
Differences:
Daniel Coulombe is a rather bland Jesus. He is seen as popular with children, but otherwise a fairly serene person who seems almost to glide through life with little or no emotion (positive or negative), to the point where at one stage even his friends have to tell him to lighten up. That’s not the Jesus I read at all: he frequently got frustrated and angry, but was also a fun enough person to be invited to a heap of parties.
It’s also fairly liberal with the facts; there are several occasions where they claim that things are more vague with respect to historical understanding of Jesus than they really are. Partially that can be explained by the degree of knowledge that has been gained in the intervening 20 years since the film was made, but mostly I think they were just wanting to question what is generally accepted as “gospel truth”.
Overall, a great film that I wish we’d had more time to discuss, particularly in terms of its questions and implications for us. But it forms just another experience of Jesus in pop culture that we build into our road of discipleship together, that challenges and affects us.